I thought I’d update the blog every couple of months on my music journey. I’ve learnt quite a lot and gained a bit more experience in several aspects such as the business side of music and performance. You can also find me on Youtube with a quick weekly update: https://www.youtube.com/@DonakRV
As a member of the Australian Performing Rights Association, I attended a local workshop they kindly put on in Lismore called ‘The Regional Sessions’. They had 4 or 5 musicians in the industry share their experience and some tips on working as writers and performers. For some, it wasn’t too difficult to break into the industry (discovered as teens), but for others, it was the typical case of ‘famine before feast’. It’s both about working hard, but being easy to work with.

Another big takeaway was that they had a feeling of having no idea what they were doing, and wether they were doing well financial or heading for bankruptcy. This was down to the nature of how music is earned: it could be via royalties as streamers, it could be a lump sum for sync rights, it could be for working as a producer with clients, it could be performing concerts. There’s also the problem for artists and bands starting out – if you suddenly get exposure via music going viral, you’re going to need upfront capital to pay for a tour to get your music really out there, because 6 months later you could be forgotten.
I also took some interesting notes – a song can go through many processes, and each step is important, from coming up with the idea, to recording and performing (or through midi and production you don’t need to perform), then distributing it on to streaming services, then marketing and live performance. I jotted down a mind-map that was drawn up in the workshop and stuck it to my wall.

My plan is to build up a repertoire (I have 6 songs I can perform at the moment) as well as distribute online (I have two songs up on Spotify so far). Amongst studies and living, I’ll learn and distribute bit by bit, and share my experiences on my socials. At the moment I’m just focusing on original work – which has its benefits. I get 100% of all royalty streams – both from original works and the sound recordings, as I’m doing everything my self, no publisher, no label, no agent. (Those things really only come later when one has a substantial repertoire of music, a strong presence in the live scene and a following online.)
As things progress, hopefully I’ll see more quickly which direction to go. I may try covers – which could bring live work and charge up hits online – but I won’t get publishing royalties for those and I’ll need to get the license to perform (which isn’t too difficult if I follow APRA-AMCOS’s instructions). I could go the Youtube route – share ‘how to’ videos for my music. I could go the online streaming route, e.g. on Twitch (but Twitch doesn’t have an Apra-amcos license, so no royalties via Twitch). Also, as I’m doing film, I could create music for screen and earn through sync licensing – however AI will probably reduce demand for human composers in this field.
Links:
https://linktr.ee/donakRV
On Spotify
https://open.spotify.com/artist/6vc7FSfbZc438p9AkbXPSJ





